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September 10, 2020 - IFPDA Foundation Announces Annual Grants and Awards for 2020
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January 10, 2020 - Applications for Summer 2020 Curatorial Internship grants are now open to eligible institutions
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August 30, 2019 - IFPDA Foundation Announces Annual Grants and Awards
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August 1, 2019 - Tickets On Sale for the IFPDA Foundation Cocktail Benefit
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Ida Applebroog, A Selection of Prints
Download PDF Worklist
Born in 1929, Applebroog has been exhibiting in galleries and museums for almost 50 years. Randy Kennedy wrote in the NY Times –
“Much of the unsettling work that has made Ms. Applebroog a revered, quietly influential figure in the art world over the last three decades has looked this way: deceptively simple, like the trademark cartoonish storyboards she began making in the 1970s; funny in a way that skews toward weird without losing the ha-ha; and ominous, carrying the brutal honesty of one of her early influences, Samuel Beckett, into the nooks and crannies of domestic life. “As others take in vagrant cats,” the critic Max Kozloff once wrote, “Ida Applebroog’s pictures keep home for family alarms and little
butcheries.”
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Image: IDA APPLEBROOG Promise I Won’t Die, 1987
The understated violence of her art, the psychological darkness couched in delicate, faux-naïve drawing, is surfacing in multifaceted, sometimes confessional, images and text.
-Faye Hirsch in Art in America
These prints remind us of how much she could do with how little: a handful of penlines, an ominous scowl, a raised eyebrow, and disasters unfold.
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- Susan Tallman in Art in Print
Photo: Emily Poole
Ida Applebroog
Born in 1929, Ida Applebroog received her formal artistic training from the New York Institute of Applied Arts and Sciences (1948-50), the School of the Art Institute of Chicago (1965-68), in 1997, she received an honorary doctorate from Parsons School of Design.
Applebroog has been making pointed social commentary in the form of beguiling comic-like images for nearly half a century. She has developed an instantly recognizable style of simplified human forms with bold outlines. In her most characteristic work, she combines popular imagery from everyday urban and domestic scenes, sometimes paired with curt texts, to skew otherwise banal images into anxious scenarios infused with a sense of irony and black humor. Strong themes in her work include gender and sexual identity, power struggles both political and personal, and the pernicious role of mass media in desensitizing the public to violence.
Applebroog has received many awards, including the Jordan Schnitzer award for Excellence in Printmaking, a John D. and Catherine T. MacArthur Foundation Achievement Award and a Lifetime Achievement Award from the College Art Association. Her work has been shown in many one-person exhibitions in the United States and abroad, including the Corcoran Gallery of Art, Washington, DC; Whitney Museum of American Art, New York; the Contemporary Arts Museum, Houston; and the High Museum of Art, Atlanta, among others.
Ida Applebroog is represented by Hauser & Wirth Gallery.
Diane Villani Editions can be reached at:
phone: +1.212.925.1075
email: [email protected]
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285 Lafayette Street
New York, NY 10012
United States
Or visit online at www.villanieditions.com